SUPPLY AND READING LIST
PALETTE: Professional grade paint, no student quality.
WHITE: Any good Titanium white or Titanium/Zinc mixed white, no Permalba white, 125ml tubes (2 tubes)
CADMIUM YELLOW PALE (LEMON)
CADMIUM YELLOW MEDIUM
CADMIUM SCARLET or CADMIUM RED LIGHT or PERM. BRIGHT RED, select one.
PERMANENT ALIZARIN CRIMSON
ULTRAMARINE DARK OR DEEP
VIRIDIAN or VIRIDIAN HUE
ADDITIONAL NOTE: This is difficult enough, there is no sense compounding problems with inferior materials. Jack Richeson & Co. is offering the “Skip Whitcomb Landscape Set” of their excellent professional grade oil paints and brushes at considerable discount to workshop students.
They are available through Amazon.com or directly from Richeson Co. at www.richesonart.com.
Ph.: (800) 233-2404. These are the paints I use almost exclusively in the studio and field.
BRUSHES: 2 ea. (Minimum) 2, 4, 6, 8 White Bristle Filberts or Flats
CANVAS: 6x8, 8x10, 9x12, an assortment of these sizes, total of at least 10 for the week (approx. 2 per day).
BOOKS: REQUIRED FOR WORKSHOP: “Carlson’s Guide to Landscape Painting” by John F. Carlson, and “Composition in Outdoor Painting” by Edgar Payne.
OPTIONAL BUT HIGHLY RECOMMENDED: “Oil Painting Techniques and Materials” and “The Practice and Science of Drawing” both by Harold Speed, and “The Art Spirit” by Robert Henri.